In her book The Artist’s Rule: Nurturing Your Creative Soul with Monastic Wisdom, author Christine Valters Painter invites her readers to the traditional monastic practice of praying the hours and offers the suggestion of writing personal liturgies for these prayer times in haiku form. I felt inspired by her prompt and created short pieces for each of the prayer times. Then I put the handwritten pages in a drawer and forgot about them for several years.
Last week, I was cleaning out some items and came across these prayers. I was unexpectedly moved. Obviously these poems meant something to me when I wrote them, but they have retained–and even strengthened–their significance. So I felt inspired to pull them out, edit them, share them, and find a way to incorporate them into my own daily liturgy. The last item on that list is still in progress, but I’m starting by sharing them now. Perhaps you, too, want to compose some haiku liturgies of the hours to accompany you into the new year.
Vigils (middle of the night)
Three a.m. again:
Night unfolded and soft,
Dream time, untethered.
All this open time,
Cradled in the Spirit’s hands,
Needs no other bounds.
Lauds (dawn)
Praise for the first sound
that tells me I’ve awakened.
Praise for the new breath.
Praise for the dawn light,
whatever its quality.
Praise the resting dark.
Terce (mid-morning)
Weary already
And dappled, too, with delight.
Joy comes with the morning
and must be received.
I place my hand on my heart.
Here I make a home.
Sext (noon)
Productivity
can never equal my worth.
Slow down and savor.
I move my body
to the dance of God’s great love
that draws me onward.
None (mid-afternoon)
Heavy the eyelids—
Grace doesn’t need my focus
to lighten my sight
No matter the length
of shadows or things undone,
Grace refills the cup
Vespers (dusk)
Everything can slow:
the heartbeat, the pace of talk
the ring of laughter.
Gather it all in
and let it settle in peace:
Like dew on dry ground.
Compline (bedtime)
Where was love present—
especially, tangibly—
in this time and place?
What do I long for—
especially, tangibly—
in this time and place?